«WITH THE DIVINE LOVE FOR PEOPLE, I RECORD THE MUSIC FROM THE KEYS OF THE SKY AND I TRANSFER THIS ETERNAL SOUND TO ALL HUMANITY»
A. Karamanov.
1934 – 2007
«WITH THE DIVINE LOVE FOR PEOPLE, I RECORD THE MUSIC FROM THE KEYS OF THE SKY AND I TRANSFER THIS ETERNAL SOUND TO ALL HUMANITY»
A. Karamanov.
Representatives of the board of trustees of the composer’s creative heritage.
A. S. KARAMANOV
This is an interesting and original talent, and its originality can not be overlooked even in student work.
He created the most wonderful symphonic works that influenced me in my youth and have an impact now. Alemdar Karamanov is not just a great talent. He is a genius!
The works of A. Karamanov make a very vivid impression. He undoubtedly has a strong, original talent.
Alemdar Karamanov was perhaps one of the first to express the general tendency of the postavanguard – a departure from its extremes towards moderation and greater tradition.
This is a special talent of the composer, original and not imitating any direction from those that are formed around him.
In the music of Karamanov, all tired classical music rests. It is transformed into a single fabric. She becomes a member of a single and important movement – “The Birth of God.”
French conductor and musicologist. He headed the Stuttgart Philharmonic Orchestra, in 1965-1967. worked at the Paris Opera. In 1971-1978 Principal Conductor of the Nice Philharmonic Orchestra.
Conductor, People’s Artist of Azerbaijan, professor. Artistic director and chief conductor of the Azerbaijan State Symphony Orchestra. Uz Gadzhibekova
Conductor, artistic director of the Crimean Symphony Orchestra
Artistic director and conductor of the London Philharmonic Orchestra, the Royal Philharmonic Orchestra (1987-1994), the Cleveland Symphony Orchestra, and the Berlin Radio Orchestra.
Chief Conductor of the Academic Symphony Orchestra of the Saratov Regional Philharmonic Society. Schnittke.
Artistic director and conductor of the Moscow Conservatory Symphony Orchestra.
Chief conductor of the Omsk Symphony Orchestra.
Chief Conductor of the National Symphony Orchestra of Ukraine.
Chief conductor and artistic director of the Symphony Orchestra of the Crimean Philharmonic.
Conductor. Winner of international competitions.
Laureate of S. Prokofiev Prize, Artistic Director and Principal Conductor of the Academic Symphony Orchestra of the Crimean State Philharmonic
Artistic Director and Conductor of the St. Petersburg Symphony Orchestra.
The main conductor of the choir “Pochayna”.
People’s Artist of the RSFSR. Winner of the State Prize of the USSR, the conductor of the Bolshoi Theater.
Chief conductor of the St. Petersburg Opera and Ballet Theater. M.P. Mussorgsky
Chief conductor of the Academic Symphony Orchestra of the Crimean State Philharmonic.
Conductor of the Symphony Orchestra of the Voronezh Philharmonic.
Artistic director and chief conductor of the Saratov Opera and Ballet Theater.
Artistic Director and Conductor of the USSR State Symphony Orchestra.
Conductor of the Bolshoi Theater, Professor of the Moscow State Conservatory.
Chief Conductor of the Krakow Philharmonic Orchestra, Chief Conductor of the National Academic Orchestra of Folk Instruments of Russia. N. P. Osipova.
Head of the State Academic Opera and Ballet Theater of the Belarusian SSR, conductor of the State Academic Symphony Orchestra of the Republic of Belarus.
Conductor of the State Russian Choir (named after Sveshnikov), People’s Artist of the USSR, Laureate of the Stalin Prize.
Chief Conductor and Artistic Director of the National Honored Academic Symphony Orchestra of Ukraine, Professor at the Department of Opera and Symphonic
Chief Conductor of the State Academic Musical Theater
Republic of Crimea.
Head of the London Royal Opera, Head of the Vienna Philharmonic Orchestra and the London Philharmonic Orchestra.
Artistic Director and Principal Conductor of the National Philharmonic Orchestra of Russia and the Moscow Virtuosi State Chamber Orchestra, President of the Moscow International House of Music
Chief Conductor of the Bulgarian National Symphony Orchestra, Minister of Culture of Bulgaria.
Artistic Director and Principal Conductor of the St. Petersburg State Academic Symphony Orchestra.
Artistic director and chief conductor of the Bolshoi Symphony Orchestra named after P. Tchaikovsky.
Conductor of the orchestra of the Bolshoi Theater of the USSR, People’s Artist of the RSFSR.
Artistic director and conductor of the Lithuanian Opera and Ballet Theater.
Artistic director and chief conductor of the Honored Academic Symphony Orchestra of the Ukrainian Radio, People’s Artist of Ukraine.
Chief conductor of the Perm Opera and Ballet Theater named after P. Tchaikovsky.
Artistic Director and Principal Conductor of the State Academic Musical Theater of the Republic of Crimea
Artistic director and chief conductor of the State Chamber Choir and the Yaroslavia Philharmonic Choir Chapel.
In the Crimea in 1996 was organized International Competition for Young Pianists named after Alemdar Karamanov.
The competition was founded to popularize Alemdar piano works Sabitovich Karamanov.
Today the competition has the status of academic and one of the three most serious contests, certified for full compliance international requirements.
Since then, its participants have become more 400 young pianists from 23 countries of the world, including including from Russia, China, Japan, South Korea.
Greeting of the Head of the Republic of Crimea to the participants, organizers and guests of the anniversary X International Competition of Young Pianists named after Alemdar Karamanov.
I cordially greet the participants, organizers and guests of the anniversary X International Competition of Young Pianists named after Alemdar Karamanov!
The language of music does not require translation, it unites peoples and their traditions, teaches the ideals of goodness, love and harmony.
Crimea has always been a source of inspiration for many artists of different nationalities.
Your competition provides an excellent opportunity to touch the work of one of the most talented composers of our time – Crimean Alemdar Sabitovich Karamanov.
I am convinced that this forum will give every participant unforgettable moments of creative growth, will contribute to spiritual and cultural enrichment, will open up new opportunities for the development of their talents to pianists from different regions of Russia and abroad.
I wish you inspiration, new creative victories, peace and kindness!
Head of the Republic of Crimea
Chairman of the Council of Ministers
Republic of Crimea
Sergey Aksenov
Dear friends!
On behalf of the State Council of the Republic of Crimea, I congratulate the participants and organizers of the 10th anniversary International Competition of Young Pianists named after Alemdar Karamanov with his discovery.
Since 1996, this vibrant musical event has traditionally been held on the blessed Crimean land, which was a source of inspiration for the work of Karamanov, who became the true heritage of contemporaries and descendants.
This competition of piano music gained prestige and recognition not only in the Crimea, but also far beyond its borders and became one of the most prestigious and well-known creative competitions.
Today he has reached a qualitatively new level and has become a real school of creative excellence for young pianists, and for the most talented and goal-oriented – a ticket to a large concert activity.
I am sure that this anniversary competition will be a real music festival and will give listeners vivid impressions and meetings, will open new names.
I sincerely wish all young pianists creative inspiration, elation, fighting spirit and courage, because to achieve victory is not easy, and their mentors are worthy and bright performances of students!
Let this musical championship become for the contestants a runway to the musical heights and a step on the stages of the most prestigious concert halls!
Chairman of the State Council of the Republic of Crimea
Vladimir Konstantinov
Dear friends!
Please accept my sincere congratulations on the 10th anniversary of the International Competition of Performing Arts named. Alemdar Karamanov.
The idea of creating such an event, which has been held consistently for the past twenty years and promotes academic musical art, unites young talents and reveals bright talents, is remarkable.
I am sure that the enthusiasm of the organizers of the competition, their dedicated work, perseverance, as well as talent and faith in the ideals of the musical art of the forum participants are the factors that are necessary to maintain and enhance the culture of Russia.
I wish the competition named after A. Karamanov development, prosperity and new discoveries, and all those present – inspiration, strength and goodness in the name of life and love for music!
Plenipotentiary Representative
President of the Russian Federation
in the Crimean Federal District
O.E. Belaventsev
Dear friends!
I cordially congratulate you on the opening and the beginning of the work of the Xth anniversary International Competition of Young Pianists named after Alemdar Sabitovich Karamanov!
The competition has an important international and national importance in enriching creative ties, promoting the heritage of an outstanding composer, reviving and developing the centuries-old traditions of musical art.
I am convinced that this competition will expand the single international cultural space, leave unforgettable impressions for all its participants, will inspire young musicians to sail through the waves of creativity on a wonderful journey to uncharted shores.
Let this competition become a serious event in the life of the contestants, make everyone spiritually richer, let you see life in new colors and tones. I sincerely wish the young pianists good luck and success!
Minister of Culture of the Republic of Crimea
Arina Novoselskaya
Year of creation: 1978
A. S. Karamanov is the author of the National Anthem of the Autonomous Republic of Crimea (created in 1978, approved as the anthem on February 26, 1992).
History of creation
Initially, the musical work was written by order of the USSR Union of Composers in 1978 under the working title “Hymn to the Sun” for the forthcoming Olympiad-80, but was never used, having lain on the shelves in the offices of officials until 1992
This work was approved in 1992 as the Anthem of the Autonomous Republic of Crimea.
June 4, 2014. The State Council of the Republic of Crimea approved the anthem of the composer Alemdar Karamanov as state symbols.
Triumph Over Violence (Russian: Obyknovennyy fashizm, Обыкновенный фашизм — ″Common fascism″) is a 1965 Soviet film directed by Mikhail Romm. The film is also known as Echo of the Jackboot in the United Kingdom and Triumph Over Violence in the United States. It is mainly in the form of annotated excerpts of archival film in order to describe the rise and fall of fascism, and especially the example of Nazi Germany.
Some of the most prominent nonfiction documentary films of the Soviet era, 1965-1966.
Directed by Mikhail Romm. Soviet film director, People’s Artist of the USSR.
Love with Privileges (Russian: Любовь с привилегиями, romanized: Lyubov s privilegiyami) is a 1989 Soviet film drama directed by Vladimir Kuchinsky
“Strategy of Victory” is a color documentary with elements of fiction film, created by the creative association “Screen” of the USSR State Television and Radio Committee in 1984, on the eve of the 40th anniversary of the victory in the Great Patriotic War. It was shown on the first program of the Central Television.
Artistic director – Galina Shergova.
Alemdar Karamanov is the author of musical works created by the order of various theaters in the country.
In St. Petersburg, at the Mariinsky Theater, A. Karamanov’s ballet “Stronger than Love” was staged (Leningrad Order of Lenin and the Order of the October Revolution Academic Opera and Ballet Theater named after S. Kirov).
Musical play “The Glittering World” by A. Green
In Moscow, at the Bolshoi Theater, A. S. Karamanov’s ballet “Komsomoliya” was staged in collaboration with E. P. Krylatov.
In 1982–1983 the play The Fountain of Love, written by the Crimean writer dramatist Harold Bodykin based on the poem by A.S. Pushkin “Bakhchisarai Fountain”, was set to music by an outstanding composer.
By Alemdar Karamanov. For two theatrical seasons the musical went on the stage of the Crimean Ukrainian Theater of Drama and Musical Comedy.
In honor of the composer A. Karamanov in 1994, the Institute of Theoretical Astronomy of the Russian Academy of Sciences (ITA RAS) on behalf of the International Astronomical Union (IAS) was given the name “Karamanov” to the minor planet No. 4274 KARAMANOV, opened on September 6, 1980 N.S. Black.
The planet is named after composer Alemdar Sabitovich Karamanov, who made a great contribution to world culture with works of art devoted to religion, famous for its religious symphonies, music for ballets, plays and films, piano concerts and other musical works.
The most important thing is to do everything to be face to face with the gigantic energy that sent Karamanov music, and to us the music of Karamanov.
Musicologist Mikhail Kazinik
ACT OF REPENTANCE TO THE GLORY OF GOD IN THE NAME OF THE LORD JESUS CHRIST
Topic: “Religion in Symphony.”
Year of creation: 1965-1966.
The work was created by order of the Union of Composers of the USSR.
One of the most grandiose musical works of the composer.
The symphony cycle of 10 symphonies according to the gospel of Matthew, Mark, Luke, and Jaonne.
Author of the creation of the work:
“Jesus Christ appeared to me in a spiritual way. I did not see him with my carnal eyes. He penetrated my whole being with the Holy Spirit and lifted him to heaven. And I walked for three days in heaven, and then began to write music and the spirit began to sing. “
Conductor: People’s Artist of the RSFSR Yuri Leonidovich Kochnev
Topic: “Religion in Symphony.”
Year of creation: 1971
The work was created by order of the Union of Composers of the USSR.
The product is world famous.
The Russian premiere of “Requiem” was held January 19, 2007 in the Moscow concert hall. P.I. Tchaikovsky, performed by the orchestra of Yuri Bashmet “New Russia” (conductor Yevgeny Bushkov) with the participation of the chapel. Yurlova.
Author of the creation of the work:
“At some point, something painful happened in my life, and I stopped writing altogether.
More precisely, any recording of music has ceased.
But I could not compose, so many compositions were in my head: a symphony, an opera (later it was destroyed) simply kept in memory.
And suddenly, Requiem – involuntarily rushed out of me, and I still wrote it in the clavier.
So he lay for five years, after which I went back to him, shortened it, cleaned it up and made a musical score.
Just two years ago, in 1994, I recalled the Mass, from which not a single note was recorded.
She lay there for nearly twenty years.
I pulled out the main themes and restored everything – which is why it is immensely valuable.
I embodied it in perfect form. This is such a beauty!
If I had forgotten her, it would be bad. ”
The twelve parts of my Requiem are a huge, real symphony.
A. Karamanov
“There is one thing that is available to very few, this is called revelation. This music is permeated with revelation, which seems to descend over a person from above. ”
Conductor: People’s Artist of the USSR Vladimir Spivakov
Topic: “Religion in Symphony.”
Year of creation: 1967
The work was created by order of the Union of Composers of the USSR.
The product is world famous.
The world premiere of STABAT MATER was held in England in 1995, in the central Westminster Hall of London with the participation of the composer.
Author of the creation of the work:
This music will never get tired, because born of religion. She’s from there! Embodying these mighty forms, she herself becomes mighty.
A. Karamanov
Video author: Lyudmila Konstantinova
Topic: “Religion in Symphony.”
Year of creation: 1976-1980
The work was created by order of the Union of Composers of the USSR.
The cycle “Byst”, covers six symphonies – from the Eighteenth to the Twenty-third. (1976 to 1980)
The twenty-second symphony was written for a large orchestra.
Дирижер: Vladimir Ashkenazy
Deutsches Sinfonie-Orchester, Berlin Karamanov: Symphony No.22 – “Let it be“
Author of the creation of the work:
The fourth symphony – “Great City” – the image of Babylon, with its unbearable luxury. I really like this part: it is so colorful, spicy, intoxicating like drugs. How I would like to hear it – there is only 15-18 minutes of music! And in the fifth part – it is called “Byst” – the destruction of this Babylon is shown, or simply the greatest picture of destruction. This is a huge symphony for 45 minutes. Again, it says there: “Babylon fell, fell, a great hail!” – that’s all! And I made a huge canvas, showing the development, the effective beginning of this destruction. And the sixth is “Az the Jesus.” Here is the millennial kingdom of Christ. Satan hid where to follow, and the saints reign a thousand years!
A. Karamanov
Heading: “Symphonic Work”.
Year of creation: 1975
The work was created by order of the Union of Composers of the USSR.
The Russian premiere of the 17th symphony “America” was held in St. Petersburg by the St. Petersburg Academic Symphony Orchestra, the Smolny Cathedral Choir, conducted by A. Titov.
Orchestration by E. Gulbis.
Conductor: Artistic Director and Principal Conductor of the St. Petersburg State Academic Symphony Orchestra, Professor of the St. Petersburg Conservatory, Honored Artist of the Russian Federation
Alexander Titov
Author of the creation of the work:
“The 17th Symphony” America “- about ancient, primeval America, the land of love and beauty”
A. Karamanov
Heading: “Symphonic Work”.
Year of creation: 1958
The work was created by order of the Union of Composers of the USSR.
Conductor: Vladimir Ziva
Concert in the Great Hall of the Conservatory.
Topic: “Piano Piano”.
Year of creation: 1950
A. Karamanov.
Performed by: Alexey Botvinov
In five movements.
Partly lost, except Finale movement “Rondeau”).
In two movements.
Revised in 1975.
In four movements:
1. Andantino – 17’37”
2. Moderato – 5’38”
3. Andantino – 7’55”
4. Allegro – 8’58”
CD Marco Polo 8.223796: Moscow SO, A. de Almeida (cond)
In four movements.
Dramatorio on verses by Vladimir Majakovsky (in Russian) in three movements.
Composed with E. Krylatov.
Libretto by V. Varkovicky.
In four movements.
In three movements.
Lost.
Published in 1959.
On verses by Konstantin Simonov (in Russian).
In four movements.
In five movements.
Libretto by B. Lavrenev.
Production: Malegot Theatre of Leningrad.
In four movements.
In three movements.
On text by A. Machado-y-Ruiz (in Russian).
To the memory of Federico Garcia Lorca.
On text by M. Hernandez (in Russian).
On text by L. Asampur (Alla Sampurova) (in Russian).
New version in 1984: Fifteen Concert Fugues.
On text by V. Firsov (in Russian).
After Aleksandr Grin.
Production: Crimean Music-Drama Theater of Simferopol.
After the Bible (Four Gospels and Psalm 117).
In ten movements with chorus in the Finale:
1. “Because God has Loved the World so Much (Ibo tak vozljubil Bog Mir)”
2. “Theirs Is the Kingdom of Heaven (Takovykh jest’ Carstvo Nebesnoe)”
3. “In Hebrew, in Greek, In Roman (Po-Evrejski, Po-Grecheski, Po-Rimski)”
4. “It is Accomplished (Sovershilos’)”
5. “He Who Was Pierced Through (Tot, Kotorogo pronzili)”
6. “Beating Himself with the Fist on the Chest (Udarjaja Sebja Kulakom v Grud’)”
7. “With Clothes, Embrocated by Ointments (Odezhdami, Smochennymi Aromatami)”
8. “He is Not Here. He is Resurrected (Ego zdes’ net. On voskres)”
9. “They Always Were in Church (Byli Vsegda v Cerkvi)”
10. “In the Glory of His Father (V slave Otca Svoego)”
Produced by M. Romm.
In three movements:
1. Allegretto – 12’29”
2. Largo – 6’16”
3. Andantino – 14’37”
CD Marco Polo 8.223796: Moscow SO, A. de Almeida (cond), V. Viardo (piano)
Orchestral version in 1991.
Unfinished.
On text by Alla Sampurova (in Russian).
On texts by Alla Sampurova (in Russian).
On texts by Alla Sampurova (in Russian).
On verses by S. Shchipachev (in Russian).
After St. John’s Revelation in New Testament.
“Poema Pobedy”; “Poem of Victory”
“Putjami svershenij”; “Roads of Accomplishments”
“Pobede rozhdennyj” or “Rozhdennye dlja pobedy”; “Born to Victory” or “The Born for Victory”
“Velikaja zhertva”; “Great Sacrifice”
CD Olympia OCD 486: USSR Radio SO, V. Fedoseyev (cond)
“Vsego Prevyshe”; “Higher Than All”
“Retaliation”
CD Decca 452 850 2: Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy (cond)
“Reborn from the Ashes” or “The Risen from the Ashes”.
CD Decca 452 850 2: Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy (cond)
CD Olympia OCD 486: USSR Radio SO, V. Fedoseyev (cond)
After A. Pushkin’s poem “Bahcisaray Fountain (Bakhchisarajskij fontan)”.
On text by B. Serman (in Russian).
Produced by V.Kuchins’ky.
National Anthem of Crimean Republic.
Алемдар Караманов – И он заказал воину, как только Господь начнет страдать, немедленно дать ему это. Что это – его не касается, если бы он ослушался, ему тут же голову сняли, поэтому он ослушаться не мог и так все и сделал. Вот такое произошло дело....
Алемдар Караманов – Вот что произошло. Если бы Он умер по-настоящему, он не, никто никогда не воскресал. У него был ученик Иосиф, богатейший человек, он, общаясь с Христом, знал его биографию, то ли по наущению Христа, то ли сам, скорей всего сам, достал этот наркотик,...
Алемдар Караманов – Вот вдумайтесь в это, вдумайтесь так. Он не говорит о каком-то туманности, не о каком-то духе неизвестном, нет, Он говорит прямо – возвещу вам об Отце, то есть о таком же человеке, как и Он, безусловно, вот в чем дело, и, конечно,...
Алемдар Караманов – После мелкого наводнения в Месопотамии, унесшего несколько жизней, которое окрестили великим вселенским потопом, индийские племена двинулись и надвинулись на это место и создали и туда пришел сам Харата или его последователи. Харата – это ученик Кришны, любимый ученик, самый единственный, которому он...
Ольга Шаповалова – Такая цепочка в истории человечества, которая вместе с духовными обобщениями новых религий давала все время продолжение, и она едина, вы говорите, что явно из индуизма вырастает, это и есть ваша идея такой вселенской религии… Алемдар Караманов – Конечно, я считаю – для меня...
Ольга Шаповалова – Такая цепочка в истории человечества, которая вместе с духовными обобщениями новых религий давала все время продолжение, и она едина, вы говорите, что явно из индуизма вырастает, это и есть ваша идея такой вселенской религии… Алемдар Караманов – Конечно, я считаю – для меня...
Ольга Шаповалова – Алемдар Сабитович, а почему в связи с Крымом Коран? А. Караманов – Эти слова сказал Волошин, что многие религии и культуры в Крыму развивались под благодатной сенью Корана. Оно действительно благодатное. У меня тысячи высказываний, я все тщательно переписал, каждое слово из...
Ольга Шаповалова – И это вылилось в музыку, когда вы поняли Алемдар Караманов – Да, да, да. И тогда я успокоился, что дальше мне не было страшно ничего. О.Ш. – Алемдар Сабитович, мне еще интересно, вот о Крыме мы заговорили то ли ауре, то ли сути Крыма,...
Ольга Шаповалова – Дело в том, вы сказали, чтобы стать самим собой, я пытаюсь разобраться, вот эти разные периоды, пытаюсь вычислить источники, совершенно ясно, что вы человек особенный и ваша музыка ни с чем не сопоставима. Но у всего есть корень, правда? Алемдар Караманов – Конечно,...
Ольга Шаповалова – Вот с этой музыки другой период уже… Алемдар Сабитович Караманов – Да, вот подождите, вот эти фуги, они произошло что – вся эта свободная додекафония, свободная всех этих жестоких созвучий влилась в жесткое формообразование, которое, как железные узы, охватило все и из-за этого...
Ольга Шаповалова – Это что, протест был такой? А. Караманов – Нет, это не протест, но необходимость искать и жить, потому что они давили и мой концерт, и все. Я пошел в модернизм, но собственного плана. Холопов говорит, что это ни в коем случае не додекафония,...
Ольга Шаповалова – Алемдар Сабитович, вы говорите Ноно, вы тогда увлекались Ноно? А. Караманов – Да, увлекался, но уже в своих романсах я шел дальше, и они видели это, потрясающее музыкальное знание, Луиджи и Песталоцци, музыкальный критик, просматривали там элементы пуантилизма есть, но дальше, и они...
Ольга Шаповалова – Это было консерваторское сочинение? Его не приняли? Караманов – У меня ничего не принимали, ни одного произведения – ни Драматорию «Владимир Ильич Ленин», ни сонату, но концерт, который я написал, и Симфониетта, они были уже приняты, и Анатолий Александров, профан Александров сказал:...
Ольга Шаповалова – То есть ваша жизнь была такой, как она реально существует? А. Караманов – Да, да, в том-то и дело, гонял в футбол, играли во все игры, ничем я не отличался от других, но, кроме того, приходилось… На рояле я не занимался никогда,...
О. Шаповалова – Алемдар Сабитович, но так же было во все времена, такое земное, мирское перевешивало. Вы же вспоминали Шопенгауэра и говорили о культурном противовесе, который создает человечество, и таким образом человечество существует. Алемдар Сабитович Караманов – Правильно, правильно. Хорошо. Конечно, так и должно быть. Должно...
О.Шаповалова – В последней части? А.Караманов – Да, в последней части. Это все впечатляет, как рождение той религии еще тогда, христианской религии. Но это не исполняется опять. О чем я буду говорить, сколько я буду говорить… О.Ш. – Алемдар Сабитович, очень многое происходит, слава Богу....
Алемдар Караманов – Мне ничего не вспоминалось, ничего. Нет, только моя матушка вспоминалась, я расплакался, нет, я что-то помню, в детстве, как я писал, сидя за столом, всегда без рояля, на линованной бумаге, просто на клочках бумаги. Некоторые сочинения, может, и неплохие сочинения, которые вошли бы сюда,...
Ольга Шаповалова – Это рождалось, как вы пишете музыку, интуитивным путем, или логическим каким-то тоже происходило? А. Караманов – И логическим, и интуитивным, и логическим тоже, безусловно, потому что я все-таки соображал, как это расположить, массу звуков, чтобы они звучали как классический аккорд. О.Ш. – Вы...
Ольга Шаповалова – Но как задуманная раньше опера, она традиционного понимания этого жанра? Алемдар Караманов – Она обычная опера. Самое главное ее свойство то, что она продолжает традиции бельканто, причем в величайшей степени. Мне кажется, что она превосходит Леонкавалло, да, вот она такая, она вовсе не...
Ольга Шаповалова – Но эта музыка пока еще только в вашей голове или существует, или… А. Караманов – У меня есть черновики, я бы мог начать обрабатывать их, если Бог меня отпустить, потому что Он меня взял железной руковицей, я болен, я уничтожаюсь всевышним Богом, если...
Ольга Шаповалова – А сама эта идея вселенской религии, в чем заключается, как это формулировать? Алемдар Караманов – Как формулировать… Я не знаю, не могу сказать… О.Ш. – Вы говорите, что такое разделение на разные религии, оно, в общем-то, искусственное, и что есть некое сакритичное...
Алемдар Караманов – Наставления… не знаю, не могу сказать… О.Ш. – Я помню, вот как вы рассказывали тогда, когда мы с вами раньше чаще виделись, во-первых, эта музыка рождалась у вас потому, что у нас в стране происходили большие перемены, и что вы это почли ...
Ольга Шаповалова – Первичной была идея, и идея была очень серьезной. Алемдар Караманов – Безусловно. О.Ш. – Ваш Апокалипсис ведь первая симфоническая трактовка в музыке, именно как инструментальное сочинение.. А.К. – Да, конечно. Музыка, каждая часть, создавалась интуитивно, но общий замысел был только исключительно из Апокалипсиса, поэтому...
Ольга Шаповалова – И всегда так вы пишете? Алемдар Караманов – Всегда, только так, иначе я никогда не писал. О.Ш. – Вот этот монумент вы слышали в музыке, а бывают миниатюры, это что, как маленькая озаренность, раз и родилось, я поняла, что это к вам нисходит, и...
Ольга Шаповалова – Мы вместе со слушателями пройдем весь путь данной темы, потому что передача большая, часовая, там серьезные фрагменты музыки, большая часть передачи, я пришлю вам потом музыку, тексты, так что вы послушаете. Алемдар Сабитович, я понимаю, с тем же исследователем вашей музыки Леной вы много...
Ольга Шаповалова – Все равно человек должен какой-то путь познания пройти, да? Алемдар Караманов – Да, да, да… О.Ш. – но познания всякого, или вот через… А.К. – Только музыка, все остальное умерло для Богопознания. Вы посмотрите – жизнь различных удовольствий, вот дачи, поездок на кораблях,...
Ольга Шаповалова – По отношению к христианству вот такое величественное изменение, величественная красивая трактовка, это очень существенно, хотелось бы, чтобы вы это сами прокомментировали, потому что цитата – это одно, а комментарий ее автора – это другое. Алемдар Караманов – Извините, первая часть «Совершишася» написана...
Алемдар Караманов – Традиции в области ислама, на которых он основан, ислам, этот благодатный ислам покрыл весь Крым, кроме того, вспоминали, что, когда апостол Иоанн Богослов был в Крыму, приехал сюда, он увидел эти горы и сказал – эти горы несут великий плод духовности. Это...
